This post is one week overdue but I've been doing a lot of traveling. Last week at Pat's I got to meet his new group of students, and we went over a few familiar exercises, mainly waki-gatamae to kote gaeshi and back again. It was extremely hot in the dojo, but there were two new things I learned that I found really interesting. With the eighth wrist release, I always interpreted it as Uke grabbing Tori's wrist then pulling it across his body causing the turning motion. At Pat's well there was almost no resistance from anyone on any wrist releases, but from what I gathered Pat was doing, Uke grabbed Tori's wrist but didn't change anything, Tori just does the turning motion with no prompting. I always thought Uke determined where Tori went, but it felt more like Tori determined where Uke went after Uke grabbed. The most interesting thing though was Gendan ate. I learned in Washington that the timing issue of performing it while moving behind the arm could be fixed by actually stopping your motion for one step making Uke "catch up" and putting him in a perfect position for Gedan ate. Pat had a twist on this where Tori tosses Uke's arm over behind him which twists Uke slowing him down. The end result is Tori and Uke in sync with each other and facing each other and Tori could just push Uke backwards. It's an odd feel. Wish I had a camera to get some footage of it. Maybe later :)
Tuesday, August 11, 2009
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One can also think of 5 - 8 as failure conditions of 1 - 4. For example, you start #3, and can't complete it (you run into a wall, someone else, uke pulls back, whatever) and THEN you go back the other way into #8. And so on...
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