Wednesday, September 16, 2009
Next to Last Class
Next Tuesday will be my final class at the YMCA in Bremerton, Wa. Since I'm down to one student, I decided this week I would use the class time to go through Tegatana, Honasu, then Junana once. Junana would (I thought) give her a peek at what she would be learning as her training progressed. A few observations I noticed were, I do Sumi-Otoshi much better the Junana way instead of the Nijusan way and I need to work on that. Gedan ate went well, but when we got to Mai Otoshi (I think I spelled that right), I could not remember exactly how to do it. I thought for a second and tried Gedan Ate and intentionally missed the timing and caught Uke on the rise coming forward and an interesting thing happened. Usually when I do get Mai Otoshi I have a feeling of almost catching the back of the elbow and it's a toss or continuation of that forward movement. While the catching Uke going upward and getting that forward feeling, I caught Uke just above the elbow and it felt like the throw, or point affected I should say, was Uke's shoulder. Is that right? Is that still Mai Otoshi?
Thursday, September 10, 2009
It's Been Two Weeks
So as far as last week's post (I know you're on the edge of your seat), I arrived at class and there was a sign on the front door that simply said "Closed for maintenance. Will open tomorrow." Inside I could see electrical wires hanging from the ceiling...nice of them to let me know they'd be closed, yes?
This week, my one student returned and we only have 2 more classes left together. I wanted to go over a few lessons such as, notice your surroundings. We went through the first 4 wrist releases standing near a wall. It took a few minutes, but hip switches developed and number 1 and 3 worked especially well using those, and the "lost releases".
Some concerns were expressed over release number 3 and 4. She, like almost everyone, enjoys doing number 1 and 3 because they FEEL like they have an end. I explained that neither do 1 and 3, and we practiced what happens after the 3rd step of 1 and 3. In other words, what if Uke keeps going? That moved nicely into a Junana lesson, most notably oshi taoish and ude gaeshi. I was requested to go over that a few more times next class, so my lesson plan is just that....more wrist releases chaining into Junana
After 2 weeks when I move, I don't know how much Aikido I'll be doing. I hear Western Washington University has a Judo club, so I'll look into that. The interesting thing I read about their Judo club is that for randori it's open to anyone who does any wrestling, grappling, or throwing art. There's also a group that just focuses on kata and not competition Judo, and that sounds great to me.
This week, my one student returned and we only have 2 more classes left together. I wanted to go over a few lessons such as, notice your surroundings. We went through the first 4 wrist releases standing near a wall. It took a few minutes, but hip switches developed and number 1 and 3 worked especially well using those, and the "lost releases".
Some concerns were expressed over release number 3 and 4. She, like almost everyone, enjoys doing number 1 and 3 because they FEEL like they have an end. I explained that neither do 1 and 3, and we practiced what happens after the 3rd step of 1 and 3. In other words, what if Uke keeps going? That moved nicely into a Junana lesson, most notably oshi taoish and ude gaeshi. I was requested to go over that a few more times next class, so my lesson plan is just that....more wrist releases chaining into Junana
After 2 weeks when I move, I don't know how much Aikido I'll be doing. I hear Western Washington University has a Judo club, so I'll look into that. The interesting thing I read about their Judo club is that for randori it's open to anyone who does any wrestling, grappling, or throwing art. There's also a group that just focuses on kata and not competition Judo, and that sounds great to me.
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